To my great surprise and joy, my collection, Children of the Fang and Other Genealogies, has been nominated for the This Is Horror awards in the collection category! Thanks very much to everyone who voted to put it there, amidst some imposing company. Frankly, I am gobsmacked. If you’d like to have a look at the complete nominations, you can do so here.
I’m delighted to report that the Russian translation of The Fisherman has won an award for best translated novel of the year at the “Most Terrible Festival” in St. Petersburg. Bozhe moi! Thanks very much to AST publishing, who brought out the novel in Russia, to Grigory Shokin, who translated it, and to everyone responsible for the book receiving its (and my) first non-English language award!
The Fisherman–Russian edition
In related news, I’ve done an interview with the Russian webzine, Darker, in which we talk about The Fisherman and my love for Russian literature.
I’m also delighted to report that my story, “Haak,” which first appeared in Mark Morris’s splendid New Fears 2 anthology has been selected by Ellen Datlow for inclusion in the eleventh volume of her “Best Horror of the Year” series, alongside some fabulous work. I’m particularly pleased that this story, written for the inestimable Jack Haringa, continues to reach a wider audience. Here’s the table of contents:
I Remember Nothing by Anne Billson
Monkeys on the Beach by Ralph Robert Moore
Painted Wolves by Ray Cluley
Shit Happens by Michael Marshall Smith
You Know How the Story Goes by Thomas Olde Heuvelt
Back Along the Old Track by Sam Hicks
Masks by Peter Sutton
The Donner Party by Dale Bailey
Milkteeth by Kristi DeMeester
Haak by John Langan
Thin Cold Hands by Gemma Files
A Tiny Mirror by Eloise C. C. Shepherd
I Love You Mary-Grace by Amelia Mangan
The Jaws of Ouroboros by Steve Toase
A Brief Moment of Rage by Bill Davidson
Golden Sun by Kristi DeMeester, Richard Thomas, Damien Angelica Walters, and Michael Wehunt
White Mare by Thana Niveau
Girls Without Their Faces On by Laird Barron
Thumbsucker by Robert Shearman
You Are Released by Joe Hill
Red Rain by Adam-Troy Castro
Split Chain Stitch by Steve Toase
No Exit by Orrin Grey
Haunt by Siobhan Carroll
Sleep by Carly Holmes
Finally, I had a brilliant time this past weekend at the 56th annual Boskone, held at the Westin hotel in Boston. It’s always a pleasure to see such friends as Paul Tremblay, Jack Haringa, JoAnn Cox, Brett and Jeanne Cox, Nick Kaufmann and Alexa Antopol, Vicki Dalpe, Grady Hendrix, Liz Hand and John Clute, Bracken MacLeod, Errick Nunnally, Chris Golden, and Ellen Datlow, but beyond that, the con organizers have really made an effort to expand their horror-related programming, and to include horror writers on more general-topic panels. In addition, they’re made a commitment to diversifying their participants that continues to yield results. It’s made Boskone one of the can’t-miss conventions for me. Thanks to all who worked so hard at putting it on this year, and to anyone who might be thinking about the convention for 2020, I’d encourage you to give it a try.
Man, what a year 2017 was. Talk about a mix of the good and bad (or the wonderful and the dreadful): while my personal and family life featured a number of highlights, the national political scene swung into something so bad it’s become a parody of itself–which in no way mitigates the harm it’s doing and has done. In the past, I’ve tried to use social media as a way to keep in touch with friends and family and to share news relevant to my writing life; this year, however, I found myself speaking out more than I ever have about socio-political conditions in the country. I expect that will continue in 2018. Oh, and the whole finding-out-I’m-diabetic thing was less than a thrill.
Yet there were good things this past year, and I don’t want to overlook them. My wife is the joy of my life, as are my sons and grandchildren. We took a ridiculous fifth dog into our household. I had the pleasure of being room-Dad for David’s AC/DC rehearsals at The Rock Academy, and then watching him and his fellow cast members dazzle their audiences. I continued to study Tang Soo Do, and went a good part of the way towards learning the new forms necessary for me to advance to my next rank. I also taught a good deal at the school’s Saugerties studio, which I found both rewarding and challenging. As the year came to an end, I was reminded how much I love my friends Laird Barron and Paul Tremblay–seriously, these guys are the best. I attended my first Necon with Laird and had one of the best conventions I’ve ever had. The Fisherman won an astonishing two awards, a Bram Stoker Award and a This is Horror award. House of Windows was re-released in a snazzy new edition by Diversion Press. I wrote and had accepted for publication a number of stories, and am on the verge on completing my egregiously overdue third collection, Sefira and Other Betrayals. I finally read Peter Straub’s brilliant The Skylark (not to mention, his astonishing novella, The Process [is a Process of its Own]). David and I saw a lot of the movies you’d expect (Wonder Woman, Justice League, Spider-man, Star Wars) and went to a number of the Rock Academy’s other shows (including their fabulous punk and metal shows).
As the New Year wheels forward, I’m back writing, because that’s what I do. I hope the months to come bring you and yours something good.
Here’s a picture of a happy dog, because why not?
The Fisherman just won the Bram Stoker Award!
Needless to say, I am gobsmacked, and possibly stupefied. I wasn’t able to attend the awards ceremony, but Ellen Datlow was gracious enough to accept the award on my behalf and read these remarks:
“I’m thrilled and humbled that the voters have selected The Fisherman as Novel of the Year. To have been nominated alongside the other novels in this category was already an honor, and the ballot as a whole is a reminder of the talent flourishing in the horror field. I’m grateful to everyone who sat down with my book and gave it a chance, and I’m thankful to everyone who cast a vote for it. The Fisherman owes its publication to Ross Lockhart, for which, many, many thanks. It owes its composition to my lovely wife, Fiona, for which all, all of my love.”
It’s a terrific slate of winners; congratulations to Victor LaValle, Livia Llewellyn, Mike Davis, Ross Lockhart, and everyone else!